Zaha Hadid Architects introduces KnitCandela – an incredibly thin concrete shell, built on an ultra-lightweight, knitted formwork that can be suitcase-condensed. How’s that for revolutionary? |
Designed to coalesce expertise in the fields of computational design, engineering and fabrication, it brings together ZHA’s design research group ZCODE for its design vision, ETH Zurich’s Block Research Group (BRG) for the formwork and Architecture Extrapolated for its on-site execution.
Constructed in Mexico as part of ZHA’s first Latin American exhibition, the structure pays tribute to acclaimed architect and engineer Félix Candela. While the fluid design recalls his celebrated restaurant at Xochimilco, it also takes reference from the traditional dress of the people of Jalisco. It employs KnitCrete to “reimagine his concrete shells and doubly curved forms” through experimentation with computational design methods and innovative formwork technology.
Developed by BRG, especially for casting doubly curved geometries in concrete, KnitCrete is a “cable-net and fabric formwork system” that allows for the realization of anticlastic geometries, eliminating the requirement of complex moulds.
It customs a “3D-knitted, technical textile as a lightweight, a stay-in-place shuttering coated with a special cement paste” that fashions a rigid mould and is supported by “additional falsework elements such as a tensioned cable-net or bending-active splines”. Knitting, unlike weaving, “minimises the need for cutting patterns to create spatial surfaces, facilitates the directional variation of material properties and simplifies the integration of channels and openings” for multiple tasks, including insulation, reinforcements, electrical components and technical systems. As such, the system is hybrid and eases the fabrication process on many fronts – material saving, labour reducing, cost effectiveness, transportation, reducing additional supports and simplifying site logistics.
Textile shuttering, on the other hand, comprises of four long strips of 15-26m in length - each seamless, double-layered, with dual function and produced as a single piece. While the interior aesthetic surface flaunts a colourful pattern and hints at the “supporting cable net falsework systems”, the exterior accomplishes the inclusion of features for “inserting, guiding and controlling the position of additional formwork elements”. The pockets in between, inflated using standard modelling balloons, act like cavities to form a structurally efficient waffle shell. Their varying densities allow control over shape and openings, enabling one standard balloon size to create flexible cavities.
As KnitCandela’s soft, colourful textile interior contrasts its hard, concrete exterior, their simultaneous visibility emphasizes the spatial experience, the radial symmetry and curvatures of its sinuous form. While the project is a demonstration of the advancing possibilities that digital design and fabrication offer and the synthesis of these techniques with traditional craftsmanship, it has stunningly revolutionized the artistry of freeform concrete in the years to come! check out the visuals on indiaartndesign.com
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