Johann Sebastian Bach (
German pronunciation&_160;[jo'han] or
['jo?han se'bastjan 'bax]) (31 March 1685
[O.S. 21 March] – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the
Baroque period and brought it to its ultimate maturity.
[1] Although he introduced no new forms, he enriched the prevailing German style with a robust
contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg concertos, the Goldberg Variations, the Partitas, the Well-Tempered Clavier, the Mass in B Minor, the St. Matthew Passion, the St. John Passion, the Magnificat, The Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the celebrated Toccata and Fugue in D minor and Passacaglia and Fugue in C minor.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now regarded as the greatest composer of the Baroque, and as one of the greatest of all time.
Johann Sebastian Bach was born in Eisenach, Saxe-Eisenach. He was the youngest child of Johann Ambrosius Bach, the director of the Stadtpfeifer or town musicians,[1] and Maria Elisabeth Lämmerhirt. His father taught him to play violin and harpsichord. His uncles were all professional musicians, whose posts ranged from church organists and court chamber musicians to composers. One uncle, Johann Christoph Bach (1645–93), was especially famous and introduced him to the art of organ playing. Bach was proud of his family's musical achievements, and around 1735 he drafted a genealogy, "Origin of the musical Bach family".[2]