Biosemiotics&_160;· Code
Computational semiotics
Connotation&_160;· Decode
Denotation&_160;· Encode&_160;· Lexical
Literary semiotics&_160;· Modality
Representation (arts)&_160;· Salience
Semeiotic&_160;· Semiosis&_160;· Semiosphere
Semiotic elements & sign classes
Sign&_160;· Sign relational complex
Sign relation&_160;· Umwelt&_160;· ValueThe early forms of literary semiotics grew out of formalist approaches to literature, especially Russian formalism, and structuralist linguistics, especially the Prague school. Notable early semiotic authors included Vladimir Propp, Algirdas Julius Greimas, and Viktor Shklovsky. These critics were concerned with a formal analysis of narrative forms which would resemble a literary mathematics, or at least a literary syntax, as far as possible. They proposed various formal notations for narrative components and transformations and attempted a descriptive taxonomy of existing stories along these lines.
Propp's Morphology of the Folktale (orig. Russian pub. 1928; English trans. 1958) provides an example of the formal and systematic approach. In successive chapters, Propp analyzes the characters, plot events, and other elements of traditional folktales (primarily from Russia and Eastern Europe). For each of these key components he provides a letter designation (with superscripts to designate specific subtypes). He proceeds to analyze individual tales by transposing them into this notation and then to generalize about their structure. For example
He then gives the complete structure of this story in one line of notation, the analysis complete and ready to be compared systematically with other tales