A
silent film is a
film with no synchronized recorded
sound, especially spoken
dialogue. The idea of combining motion pictures with recorded
sound is nearly as old as film itself, but because of the technical challenges involved, synchronized dialogue was only made practical in the late 1920s with the introduction of the
Vitaphone system. After
The Jazz Singer in 1927, "talkies" became more and more commonplace and within a decade silent films essentially disappeared.
The first film was created by Louis Le Prince in 1888. It was a two second film of people walking around in Oakwood Grange garden, titled Roundhay Garden Scene.[1] The art of motion pictures grew into full maturity in the "silent era" before silent films were replaced by "talking pictures" in the late 1920s. Many film scholars and buffs argue that the aesthetic quality of cinema decreased for several years until directors, actors, and production staff adapted to the new "talkies".[2]
The visual quality of silent movies — especially those produced during the 1920s — was often extremely high. However, there is a widely held misconception that these films were primitive and barely watchable by modern standards. This misconception is due to technical errors (such as films being played back at wrong speed) and due to the deteriorated condition of many silent films (many silent films exist only in second or even third generation copies which were often copied from already damaged and neglected film stock).[2]
Because silent films had no synchronized sound for dialogue, onscreen intertitles were used to narrate story points, present key dialogue and sometimes even comment on the action for the cinema audience. The title writer became a key professional in silent film and was often separate from the scenario writer who created the story. Intertitles (or titles as they were generally called at the time) often became graphic elements themselves, featuring illustrations or abstract decoration that commented on the action.
