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"I think an actor like that could win any public, don't you?" "I don't know," I lightly answered. "He is generally regarded as an acquired taste." "What do you mean?" came the sharp return. "Why, you must have heard that Mr. Irving's eccentricities are not to be counted upon the fingers of both hands?" Mr. Daly lifted his brows and smiled a contented smile: "Indeed? And pray, what are these peculiarities?" "Oh, some are of the figure, some of movement, and some of delivery. A lady told me over there that he could walk like each and every animal of a Noah's ark; and people lay wagers as to whether London will force him to abandon his elocutionary freaks, or he will force London to accept them. I am inclined to back Mr. Irving, myself." "What! What's that you say? That this fine actor you have described has a marked peculiarity of delivery--of speech?" "Marked peculiarities? Why, they are murderous! His strange inflections, his many mannerisms are very trying at first, but be cheap tiffany jewelry conquers before--" A cry stopped me--a cry of utter disappointment and anger! Mr. Daly stood staring at his notes a moment, then he exclaimed violently: "D--n! d- n! oh, d--n!!!" and savagely tore his scribbled-on paper into bits and flung them on the floor. Startled at his vexation, convulsed with suppressed laughter at the infantile quality of his profanity, I ventured, in a shaking voice, "I think I'd better go?" "I think you had!" be agreed Ghds Outlet curtly; but as I reached the door he said in his most managerial tone: "Miss Morris, it would be better for you to begin with people's faults next time--" But with the door already open I made bold to reply: "Excuse me, Mr. Daly, but thereghd precious gift set isn't going to be any next time for me!" And I turned and fled, wondering all the way home, as I have often 49 AUTOBIOGRAPHY AUTOBIOGRAPHY 50 AUTOBIOGRAPHY AUTOBIOGRAPHY THE STAGE AS AN INSTRUCTOR To boast of being able to appreciate Shakespeare more in reading him than in seeing him acted used to be a common method of affecting special intellectuality. I hope this delusion--a gross and pitiful one to most of us- has almost absolutely died out. It certainly black puma shoes conferred a very cheap badge of superiority on those who entertained it. It seemed to each of them an inexpensive opportunity of worshipping himself on a pedestal. But what did it amount to? It was little more than a conceited and feather-headed assumption that an unprepared reader, whose mind is usually full of far other things, will see on the instant all that has been developed in hundreds of years by the members of a studious and enthusiastic profession. My own conviction is that there are few characters or passages of our great dramatists which will not repay original study. But at least we must recognise the vast advantages with which a practised actor, impregnated by the associations of his life, and by study--with all the practical and critical skill of his profession up to the date at which he appears, whether he adopts or rejects tradition--addresses himself to the interpretation of any great character, even if he have no originality whatever. There is something still more than this, however, in acting. Every one who has the smallest histrionic gift has a natural dramatic fertility; so that as soon as he knows the author's text, and obtains self-possession, and feels at home in a part without being too familiar with it, the mere automatic action of rehearsing and playing it at once begins to place the author in new lights, and to give the personage being played an scarpe mbt individuality partly independent of, and yet consistent with, and rendering more powerfully visible, the dramatist's conception. It is the vast power a good actor has in this way which has led the French to speak of creating a part when they mean its first being played, and French authors are as conscious of the extent and value of this cooperation of actors with them, that they have never objected to the phrase, but, on the contrary, are 51 AUTOBIOGRAPHY AUTOBIOGRAPHY INSPIRATION IN ACTING It is often supposed that great actors trust to the inspiration of the moment. Nothing can be more erroneous. There will, of course, be such moments, when an actor at a white heat illumines some passage with a flash of imagination (and this mental condition, by the way, is impossible to the student sitting in his armchair); but the great actor's surprises are generally well weighed, studied, and balanced. We know that Edmund Kean constantly practised before a mirror effects which startled his audience by their apparent spontaneity. It is the accumulation of such effects which enables an actor, after many years, to present many great characters with remarkable completeness. mbt scarpe prezzi 74 puma shoes outlet 3463 Hogan Scarpe 3523
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