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The new Bruce C. Bolling Municipal Building in Boston plays a central role in the ‘renaissance’ or reactivation of Roxbury’s Dudley square, embodying a time-honoured approach to craft in construction... Designed by Dutch practice Mecanoo, together with US based firm Sasaki Associates, the building is a testimony to the vision of the late Mayor Thomas M. Menino, who decided the City of Boston would develop the vital plot of land by consolidating 500 civil servants from the Boston Public School into a new municipal office building for education, in conjunction with a community centre and retail space. The building’s second floor is home to the Roxbury Innovation Centre, initiated by Mayor Martin J. Walsh. Mecanoo and Sasaki’s design embodies the City’s vision of a symbol of change that is freely accessible to all, celebrating the history of Roxbury and inaugurating a new era for the neighbourhood. Since every student and parent in the state will visit the BPS at least once, the building is designed to be friendly, healthy and inspirational to people of all ages. It challenges what an office building is, proposing new ways of working and promoting collaboration and transparency through an open layout. As a Bostonian building with a Dutch touch, a contemporary interpretation of classical layering manifests itself in the brick work encompassing a number of different masonry techniques from running bond, to stack bond, to soldier bond. Within the brick facade are elements in relief, casting intricate shadows across one another in a playful, ‘jazzy’ rhythm. Because of the vitreous properties of the brick, the facade reflects light in different ways depending on the weather conditions. To celebrate the history of the neighbourhood as a transport hub, the void of the historic rail tracks is used as the main circulation route on the lower levels, with the entrances marked by an abstract interpretation of the railway in the form of illuminated rails above one’s head. Atop the central volume, the mechanical penthouse doubles as a light beacon announcing Dudley Square’s ‘renaissance’. While the ground floor of the facility serves as an entirely public zone – known as the “New Dudley Square” - providing both community gathering space and opportunities for individual economic advancement; the floors above are outfitted for the Roxbury Innovation Centre, student commune area, and BPS offices. The rooftop space, uniquely, is free and accessible to all. The project unites and re-engages the existing built corners by stitching them together into a bright new building. In blending new and old into one proud yet subtle, interconnected series of spaces, it boldly looks to the future, while referencing the neighbourhood’s rich and vibrant past. The historic facades of the five-storey limestone and terra cotta Ferdinand building, the Curtis, in its Queen Anne red brick style, and the Waterman, built in the Boston Granite style, are comprehensively restored and reach out to all sides of the city. They maintain the feel and scale of Dudley Square, while the central volume to new municipal centre injects a modern aesthetic; understated in form, yet prominent in the level of craftsmanship employed. Together, these elements create a rich texture both, physically and conceptually. Click here to view images of the building on indiaartndesign.com
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Urban Planning, Commercial Design, Institutional Architecture, Commercial Architecture, Commercial Interior Design, Culture, Public building,
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