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The Trace of Jewelry from an Early Time by Bradford Anderson





Article Author Biography
The Trace of Jewelry from an Early Time by
Article Posted: 11/12/2013
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Articles Written: 949
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The Trace of Jewelry from an Early Time


 
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All things about jewelry are the most beautiful and romantic, and then we can have enough time and chance to memorize what we had known from the elderly. Today, jewelry business become increasingly blossom, such as wholesale chunky necklaces and wholesale necklace pendants are popular with ladies.

Henna (Mehndi)

'When she puts henna on her hands
and dives in the river
One would think one saw fire twisting
and Running in the water.
'
-- Dilsoz, 18th century AD
Unlike real tattoo, which is permanent, some decorative patterns created on the skin with stain or dye are not immediately removable but, depending on the dye strength, can last for three or four weeks. Mehndi, the Hindi term for henna, is one such temporary tattoo.
Men agree that mehndi patterns on a woman evoke thrilling, erotic sensations, perhaps because they associate mehndi with a maiden's initiation into mature womanhood.
The custom of applying elaborate mehndi patterns to the hands and feet is a symbol of satisfaction and happiness in marriage among the Hindus. This belief derives partly from the dye's red color, universally considered to be auspicious; and which is also the color of a bride's dress. Mehndi is commonly applied to propitiate Ganesha, the elephant-headed god, son of Shiva, who overcomes obstacles and is always invoked to attend a Hindu marriage ceremony. It is also considered very dear to Lakshmi, goddess of wealth and fortune. Indeed if ever there was a plant associated with luck and prosperity, it is the henna bush.
Mehndi has a great significance in all Eastern wedding traditions, and no wedding is complete without the decoration of the bride's hands and feet - in many cultures on both the front and back of the hands right up to the elbow, and on the bottom half of the legs.
Mehndi is carried out on a bride's hands and feet the night before the marriage celebrations begin, often known as the 'mehndi ki raat' or night of henna, raat meaning night. A party of the bride's women relatives spend several hours at this joyful task, during which they sing appropriate songs, teasing her about her future:
Oh, how sleep is hard to come by, once her hands have been adorned with the mehndi of her beloved.
Oh, friends, come and decorate my hands with mehndi, write my beloved's name. Just see how auspicious this occasion is.
Everyone's fate is held within the lines on our palms, it is on these palms that mehndi paints such beautiful pictures.
The mehndi night is something like a hen night in the West, with all the bride's female friends and relatives getting together to celebrate.
For the bride, the process is therapeutic in calming and preparing her for the event.
Mehndi signifies the strength of love in a marriage. The darker the mehndi, the stronger the love. The color of henna specifically has symbolic significance because red is the color of power and fertility. Many brides believe that the deeper the color of the mehndi, the more passionate the marriage. The design itself is important, too. Sometimes the groom's name is incorporated into the bride's complex mehndi tattoos, and it is a delightful task to try finding it - often taking up hours to accomplish.
After marriage, mehndi may be applied to a woman on any auspicious occasion, such as the birth or naming of a child.
Mehndi designs are an aspect of folk art requiring a well-developed decorative sense. Though the community perpetuates old patterns, innovative designs may also be introduced, which gradually enter the communal design repertoire. But an interesting aspect is that whatever be the innovation or tradition, only vegetative motifs are used. Thus henna is an attempt to symbolically link women with the vegetative and organic nature of Nature, along with its associated concepts of birth, nourishment, growth, regeneration etc.
Additionally, the purpose of tattooing is mainly apotropaic: to it is credited an evil-averting, magical function. Especially in animist societies, the tattoo acts to repel the forces of evil believed to be constantly active and attempting to gain advantage over the unwary, unprotected individual, causing misfortune, illness, or even death. In India, it is believed that an auspicious occasion like a marriage requires an extra protection against evil forces. This is because such occasions are celebrated with much pomp and show, amidst a high profile, making the probability of their being noticed by negative forces very high. The application of henna is thus an attempted safeguard against any such dark influences.
As well as being a lavishly colorful cosmetic, Mehndi is also supposed to have many healing qualities, many herbal doctors still recommend the use of Mehndi for some ailments, such as dry skin and to hasten the healing of cuts and scratches. It also acts a hair conditioner when applied on the head and is also said to stop hair loss by strengthening the roots of the hair.
According to Loretta Roome, a henna expert, in societies where mehndi is traditionally practiced, marriages are often scheduled to coincide with ovulation. That's part of the intention, she said. It's a fertility rite. The henna is the color of blood, representing the breaking of the hymen. In fact, Muslims call mehndi 'love juice.'

Bangles (Wrist Ornament)

Bangle-sellers are we who bear
Our shining loads to the temple fair.
Who will buy these delicate,
bright Rainbow-tinted circles of light?
Lustrous tokens of radiant lives
For happy daughters and happy wives.

-- Sarojini Naidu
One of the oldest art objects in India, the bronze statuette of a dancing girl excavated at Mohenjo Daro epitomizes the antiquity and the universality of wrist ornaments in India. She stands in the nude with one arm at her hip, the other arm completely weighed down with a collection of bangles. From then on the variety and shape of wrist ornaments spanned the gamut of nature' s materials and human creativity.
Indeed more than any other single jewelry form in India, the bangle has been crafted from the widest variety of materials. Ancient fragments testify that bangles were made from terracotta, stone, shell, copper, bronze, gold, silver and almost any material that lent itself to craftsmanship. Lac and glass bangles in a plethora of colors are a common sight in India even today. From simple plain circlets of metal, to ones decorated with etched and repousse designs, to fabulous examples with bird and animal-head terminals and studded with gems, these circlets symbolize the potent energy of the sun.

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