In news parlance, a live shot refers to any broadcasting done away from a formal studio. Examples of live shots include interviews where the interviewer and interviewee are in separate locations and news reports given from the actual scene of the event. Live shots add variety, interest, a sense of momentum, and possibly urgency to news and current events programming. The demand for live shots is rising, and when done well, live shots are often the most memorable parts of any news broadcast. Consider the following 3 guidelines when getting live shots in NYC: - The camera operator and reporter need to have a shared understanding of the composition of the shot. What the viewer sees in the shot and what the reporter is referencing in the shot must be the same. If the reporter plans to move, the camera operator needs to be prepared.
- Live shots are live. Reporters need to plan carefully what they will say, but it is generally not effective to memorize and deliver the report word for word. Planning reports by bullet point and then carefully delivering these points is often the safest and most effective approach. When stumbles occur, which they do, the story can be kept moving by a quick recovery. At the end of the best live shots, the reporter moves the story forward with statements that consider where the story goes next, which will add gravity and momentum to the report.
- Just because a live shot is possible doesn't necessarily mean a live shot is the best choice. A reporter standing in front of a quiet building because the story relates to people in the building likely adds little or nothing to a broadcast. The live shot should be interesting, dynamic, and relevant.
Getting live shots in NYC that are fresh, interesting, and well-produced is not easy. Quality live shots take careful planning, but they can be the difference between an everyday broadcast and an unforgettable one.
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