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Writing treatments is a task beyond the capability of most writers. Special skill and years of rigorous practice are usually required before you can sell a treatment. You will do a better job if you can answer the following when writing treatments:
Why is it that you want to write a treatment?
Is it meant to act as a guideline for you?
Is it meant to sell your script?
Have you been specifically asked by an authority to compose it?
Are you writing an original screenplay or is it an adaption of someone else's work?
Each of these answers will have profound influence when writing treatments in a certain way. The treatment should not trudge along predictable lines, sounding drab. Instead, add pep to it by capturing the thrill of each scene. For a while, just forget that you are writing. Tell your story in present tense as if you are narrating a cliff-hanger to a group of your buddies. Bring in a visual effect to the treatment if you want it to be worthwhile.
There are hundreds and thousands of aspiring candidates out there, all writing treatments to the best of their abilities. Create yours to be different, something to shake the reader awake, take note of it, and contact you for the main script. Penning treatments saves time -- yours and the prospective customers'. Your time is saved because treatment writing acts as a blueprint for you to base your screenplay upon. It helps to keep you focused on the pre-meditated plan. The reader is also saved the bother of having to read page-after-page of a long, completed screenplay. A short but vivacious treatment is often an instantaneous hit, creating a craving in the reader to know more about it and desire to see it on the small or the large screen. Keep it sailing smoothly like a song to capture the hearts and minds of the reader and soon you will have interested executives.
Writing treatments is second in the sequence to tell the prospective buyer what your story is about; the first step is the pitch. They are an enormous nightmare to write but just have to be done to help you to succeed. A writer should not write a screenplay before a treatment. It is his roadmap and a ticket to his ultimate victory. The treatment is for producers, artists, and directors while a synopsis is only for you. Treatments are often authored by a different writer than the person who ultimately writes the screenplay.
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