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Pop artwork in its beginning freeze-framed what consumers of well-known tradition arts seasoned into iconic visual abstractions. With the advent of the techno age, visual information circulates in these quantities, so rapidly and exponentially, that to comprehend a fraction of it all gets to be a variety of creation process in alone. The recording of heritage and how it can be interpreted has forever modified. The coverage to mass media and buyer advertising and marketing has opened up a brave new globe of imagery saturation, with a tech savvy generation only too aware yet receptive to the procedures of imagery marketing like the cautious acknowledgment of the digital photo manipulation that readily takes place to this kind of photographs, ranging from the air brushing of functions to outright attempts at fraud. The use of digital media has moved from the function of recording and documenting a well-liked culture of the time, to a single now that produces its own tradition(s), inat any time quickening flashes that morph in and out of time typically in unison with the latest fad television series or motion picture franchise. The 'spinning pop' project as popular tradition arts, is supported by way of the maintenance of logs, diaries, and various volumes of collected documentary materials. These documents comprise 5 components through which the nature of my apply is explored. I have adopted a visual strategy to the standard 'artist's journal', with an intensive sequence of visual, composed, and collected paperwork that have recorded the operates in method. The five documentary parts of this undertaking comprise Collections (volumes of text centered supply resources) Diaries of digital everyday pictures and collages printed onto copy paper Work in progress logs (volumes of notes and images of the everyday work practices) Every day postings to the social networks of the completed functions and which includes the Digital video compilation diaries. Whilst my function is influenced by Rene Magritte's fantastic sense of mystery in his juxtaposition of what seems to be unrelated photographs, I seek a much less literal representation of the images created. His intent is to create an ambiguity into the visual language, an intention to engage the viewer on many levels. Generally my painted operate is in a pixelated style, and whilst they are influenced by Georges Seurat's intent for the viewer's eye to blend the colors, they are not created via the Pointillism approach. The digital function varies in its use of mediums and presentation, often created with archival inks-on-cottonrag paper. Unsurprisingly, we as a collective of artists look at every aspect of lifestyle from a well-liked tradition arts standpoint, utilizing all accessible resource, supplies and mediums to depict our interpretation of the globe about us. The use of digital picture manipulation, and the development of random imagery is just not surprising, nor outdoors the 'norm' of our brave new planet. Photography has for a lot of decades had to combat the accusation of 'But is it Art?', and therefore as engineering develops at such an astonishing pace, photographic manipulation is the medium at the proverbial 'coal face' or cutting edge, at which you would count on to find artists running.
Rene Magritte biography
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