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Southern methodist university mustang band by e55he swrzsnb

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Southern methodist university mustang band

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Entrance to SMU Mustang Band hall, located beneath Perkins Natatorium

In the 1920 the SMU Mustang Band was the first college band to play jazz on the football field. It played the Vaudeville circuit and had its own weekly radio program in Dallas, Texas.

The SMU band became known as the Mustang Band in the 1950s. When Dr. Irving Dreibrodt became director in 1958, the band became independent from the SMU School of Music. Dr. Dreibrodt's 25-year tenure as director led to the creation of many of the band's traditions and songs that continue today.

Hired to produce a band that people would watch at halftime, he jettisoned all non-brass wind instruments except 22 saxophones.

He quickly introduced the concept of changing uniforms several times during a football game, and beginning in the fall of 1959 a writer for The Campus newspaper coined the name he Best-Dressed Band in the Land.7]

In 1961 the band for the first time fielded 96 members along with its featured twirler, leading to another popular nickname of 96 Guys and a Doll.3]

SMU Mustang Band director Don Hopkins directs the band, November 2005

Don Hopkins is Director of the SMU Mustang Band. He was a member of the Mustang Band in 1977-82, completing his Bachelor of Music at SMU. Don has always been a head band director, teaching at various Texas high schools before returning to SMU in 2005 as the band's 14th director.

Tommy Tucker is the Assistant Director of the SMU Mustang Band and the primary music arranger. He obtained his degree from SMU in 1984 and previously served as the Mustang Band Assistant Director from 1984-1988. He has also been the musical producer/arranger for Pigskin Revue since 1981 and has been arranging music for various bands since 1971.

Jon Lee has been the drumline instructor and percussion arranger for the SMU Mustang Band since 1995. Jon also is the Assistant Conductor of the SMU Meadows Percussion Ensemble and teaches Percussion Techniques in the SMU Meadows School of the Arts.

Rae Jones is the Band's part-time Administrative Assistant. She handles most of the paperwork required to maintain proper records and supervises the work-study staff.

The SMU Mustang Band's music is based primarily in the Dixieland and Big Band eras of the 1920s, 30s and 40s. Most commonly referred to as ustang Jazz, it is the presentation of American jazz and popular music employing the following elements:

Full blocked, well-reinforced, Big Band style arrangements. Instead of just writing three note chords (root, third, and fifth), nearly every chord is fattened-up with either the 6th or the 7th added, depending on how the chord is used.

Scores utilize original/elaborate jazz rhythmic figures, which is more challenging than the simplified patterns that marching bands often use to ensure a clean sound on the football field.

Percussionists seek to emulate a trap set.

Solos and solis are used liberally.

When performed outside, it will be easily heard by all.

One of many uniform combinations, November 2005

The SMU Mustang Band earned its reputation as "The Best-Dressed Band in the Land" because of its multiple uniforms with a style that mimics a swing band more than a typical marching band. It has 32 different uniforms made up of varying combinations of pants, shirts, coats, and ties. Band members wear one uniform for the pregame performance and change to another just before halftime at all SMU football games where the band plays. The uniform style reinforces the music style of a jazz band.

In the 1951 Cotton Bowl Classic between the University of Texas and the University of Tennessee, Irving Dreibrodt was directing the high school band portion of the halftime show. After seeing the Tennessee band change into tuxedos for halftime to perform the Tennessee Waltz, Dr. Dreibrodt decided that if he ever had a college band, he wanted to make it the best-dressed band in the land by using different uniforms. He explained why in a 2005 interview: "ause in my opinion, if you please the eye, it a little easier to please the ear. So we went after pleasing the eye first."

The current uniform parts include the following:

Red and blue sport jackets

Red, blue, and candy stripe vests

Navy blue and white slacks

Primarily blue long tie and primarily red long tie

Red and blue bow ties

White and light blue shirts

Flannel nightgowns and caps (for late night public appearances)

The Diamond M is the signature formation of the SMU Mustang Band. The band had been forming a large block "M" until Dr. Dreibrodt arrived in 1958. He was impressed by the unique tradition of Ohio State's Script Ohio and wanted to create a trademark formation for the SMU band. With only 40 band members his first year, the band could not spell out "SMU" so he created a single-line "M" formation with the sides bent out in a double diamond shape to add some style. The Diamond M remains the trademark symbol of the SMU Mustang Band.

The marching band forms the Diamond M formation to the song Pony Battle Cry. The band typically comes off the field from this formation. The letter is sometimes flipped by inverting the two short lines in the center.

The tradition of playing a concert from the stands at the end of a football game dates back to at least 1960 when the band went to Ohio State and played a forty-five minute jazz concert after the game. The Mustang Band always concludes with the SMU Alma Mater, Varsity.

Mustang Band members with their beanies, 4th quarter of Homecoming 2004

The SMU Mustang Band carries many of the traditions of SMU, including the almost-forgotten first-year beanie. At one time, all entering first-year students at SMU wore green beanies. The university abandoned the beanie tradition sometime in the late 1950s, leaving football players and band members as the only people wearing them on campus.

Today "the privilege of the beanie" is afforded only to members of the Mustang Band. As a sign of their commitment to school spirit, the band members wear their beanies during rehearsals, the fourth quarter of SMU football games, and the last five minutes of every SMU basketball game.

In its early years, the all-male band would drift off to visit with the co-eds during the game. Cy Barcus, Mustang Band director from 192432, came up with the idea of having the remaining trumpets make a buzzing sound to alert the wayward band members to get back to their seats. That buzz flutter tongue on a concert Fas incorporated into the start of Peruna, the official SMU fight song.

Pigskin Revue is a musical performance which features the SMU Mustang Band playing several songs along with singing, dancing, comedy, and other talented acts from SMU faculty, staff, and students. Started in 1933, the Pigskin Revue was created as an old Vaudeville show where people showcased their talents. The Revue quickly grew to be an important part of SMU Homecoming celebrations.

The revue is prepared and performed throughout the week of Homecoming. The acts feature fraternities, sororities, students, and alumni. Past Pigskin Revues have also featured celebrity performers, including Bob Hope and Jerry Jeff Walker.

SMU's fight song and pony mascot are named Peruna after a potent edicine marketed since the early 1890s that had a high alcohol content. The fight song is to the melody of hel Be Coming ound the Mountain and the SMU Mustang Band has arranged multiple versions, including traditional, Dixieland, rock & roll, pop, and country-western Peruna.

At the end of every halftime performance the band forms its unique Diamond M formation to the tune of Pony Battle Cry, a school fight song introduced in 1964. The band ends the performance with the loud fanfare known as the Waring Ending and then quickly marches off-field to Peruna.

Band members come from the business, engineering, fine arts, and liberal arts colleges within SMU, as well as several colleges in the Dallas area that do not have a marching band. They usually join during their first year at SMU, but many join their Sophomore, Junior, or even Senior years. Typically, band members have played an instrument in high school or were in band in high school, but not always. Anyone is welcome to audition for the band. Scholarships are awarded based on ability.

The SMU Mustang Band was an all-male ensemble for much of its first 60 years. Historically, the only women in the band were featured twirlers. When band director Frank Malone left in 1943 to form a US Army Air Corps band, he took 16 key band members with him. There weren't enough males left, so the band admitted women. By 1956 someone complained that women in the band were wearing trousers due to the uniform, and because SMU had a dress code prohibiting women from wearing slacks or trousers, the University decided to return the band to an all-male organization. Under pressure to provide equal opportunities for women, the Mustang Band readmitted women to the band permanently in 1977.

Alumni Band joins the Mustang Band in the trademark Diamond M at halftime during Homecoming, November 2003

SMU Mustang Band alumni and supporters of the band are welcome to join the Diamond M Club, the band's alumni association. The Diamond M Club is an official fund-raising organization recognized by Southern Methodist University whose efforts assist with scholarships, uniforms, instrumentation, and the travel needs of the Mustang Band.

The Alumni Band is an SMU Mustang Band support organization, assembled from former band members. Before SMU home football games, the band plays regular Mustang Band tunes up and down the Boulevard that runs through the center of campus where crowds gather for pre-game tailgate parties.[ It also marches on the field at Homecoming football games, plays at SMU basketball games during the winter break, and performs at public and private events when contributions are made to the Mustang Band.

The mission of the SMU Mustang Alumni Band is to actively and visibly support the SMU Mustang Band, preserve its musical history and traditions, and provide performance opportunities for all Mustang Band alumni.

a b c SMU Mustang Band General Information

SMU Dedman School of Law Catalog

a b c d e f g h SMU Mustang Band History

a b c d e SMU Mustang Band Staff

a b c d e Frequently Asked Questions about the Mustang Band

a b c SMU Mustang Band Traditions

a b Jim Gallagher, Dallas newspaper columnist, from an article reprinted on the back cover of Mustang Jazz Vol. I, the band's first album, 1961.

Irving Dreibrodt: Built SMU's marching band, The Dallas Morning News, January 26, 2007

a b SMU Alumni Band: What is Mustang Jazz?

a b Interview with Irving Dreibrodt, September 29, 2005

a b Interview with director Don Hopkins, July 2009

Nothing stops this Mustang Band percussionist, SMU Daily Campus, October 19, 2007

SMU Songs: Varsity

a b Mustang Band music to team's ears, SMU Daily Campus, August 30, 2002

a b SMU Traditions

Pigskin Revue back with a vengeance, SMU Daily Campus, November 10, 2006

The Peruna Story: Strumming That Old Catarrh, Bottles and Extras, May-June 2007

Peruna and the Bracers, Collier's Weekly, October 28, 1905

SMU Songs: Peruna Sequence

SMU Songs: Pony Battle Cry

Community College Application for membership in the SMU Mustang Band

The Diamond M Club Membership

The Diamond M Club

SMU Alumni Band, Homecoming 2008

Diamond M Club Newsletter, Homecoming 2008

Diamond M Club Newsletter, December 2008

Book the Alumni Band

About the Alumni Band

Conference USA Marching Bands

Marching Pirates (ECU) Marching Thunder (Marshall) Mighty Sound of the South (Memphis) The Pride of Mississippi (Southern Miss) UAB Marching Blazers (UAB) Marching Knights (UCF)

Spirit of Houston (Houston) Marching Owl Band (Rice) Mustang Band (SMU) Tulane University Marching Band (Tulane) The Sound of the Golden Hurricane (Tulsa) Marching Miners (UTEP)

Categories: University marching bands

Southern Methodist University

Conference USA marching bands

Musical groups from Texas

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