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Tips For a Wedding Photographer New Business by Rohit Garg





Article Author Biography
Tips For a Wedding Photographer New Business by
Article Posted: 01/02/2013
Article Views: 50
Articles Written: 643
Word Count: 927
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Tips For a Wedding Photographer New Business


 
Relationships
How often forum browser, I noticed that certain questions come up over and over with the wedding photographers who are just starting out. I originally wrote this article to a forum where I am in favor of the participant, but were encouraged to disseminate it to a wider audience. I've done my absolute best to be fair and to offer an alternative, and not all of us here do not necessarily reflect my views. Please let me know if you have any additions or changes to suggest! So here goes:

Table of Contents: First So my friend / relative is getting married and they asked me to shoot a wedding. Should I do it? What should I charge? Second What gear do I need? Is my gear is good enough? 3rd I am really ready to start a real grown-up photography business in the U.S.. What do I need to do? 4th Now that I have a real business, how much should I charge? 5th Can I suggest printing the CD image with your packages? 6th Should I shoot RAW or JPG? 7th Should I shoot simple or closer? 8th How do I become a second shooter? 9th , What mode should shoot? 10th I have to get permission to use someone's music on your website?

Question 1: So, my friend / relative is getting married and they asked me to shoot a wedding. Should I do it? What should I charge?

Answer 1: Shooting a wedding is a big responsibility. This is not the same as shooting a portrait session, where if you mess up you can get a makeover or just to offer a refund. These are just a few of the most important photographs ever taken by most people, and you owe it to yourself and your potential client, be honest about your abilities. Weddings are usually complex and changing conditions, and requires a high level of sustainable performance throughout a long day. If you make a mistake, you can seriously damage your relationship with these people.

Many answers to this question in this forum sums "You better tell that to hire a true professional."

Many here say that if you shoot a wedding, money for your photography in this situation increases the potential for misunderstanding and both its legal responsibility if something goes wrong. There is a big difference between someone who has a camera and paid by the contractor guest. These people would argue that you are best off not taking any money.

Some will suggest that if you are confident enough to shoot a wedding, then you should be enough to ensure that a fair fee. Average American couple spends just under $ 2k for their wedding photography, but it depends a good bit by region. Many high-end wedding shooters for much more than that and the price of the five numbers is not uncommon.

Some here suggest that they refuse to shoot weddings friends and relatives, regardless of their experience level, the potential for misunderstanding.

Some will think that you are trying to find an experienced local specialist to tag along to get some experience before you go on your own. Be prepared that some photographers will see how to create your competition and can not be interested in the aid. Also, be aware that many of the more experienced photographers to get a few "second shooter" offers every week.

If you decide that you're still going to shoot, almost everyone here would advice you to actively seek conditions similar to those you will experience the wedding day (IE go scout the church) and practice in such conditions. If you've never had to shoot at f/1.4 ISO 3200 1/50th the past without a flash, and then the wedding day is not good for the first time to learn.

If you are completely shooting, good luck and good light for you!

Question 2: What kind of gear do I need? Is my gear is good enough?

Answer 2: We had the military says: "Two is one, one no one." This means that if a piece of gear is important enough that you would be very difficult to photograph without his wedding, then it must have a backup. That means, for starters, you need to: - Two Camera Housings Two-flash Enough redundancy that if you leave you're not stuck 24-70 FISHEYE rest of the day lenses

There are many other items that you may need, but these elements are the most expensive and important. If your camera shutter fails, if you drop the lens or the flash, there's no "I'm sorry honey, I've got to run BestBuy and buy a new piece of gear ... maybe you have that whole" walk down the aisle for both? "Argue all you want that you are budget oriented shooter with financial constraints: it probably will not help you one bit litigation.

In addition, the general consensus is that you need f/2.8 or faster lenses do a good job under difficult lighting conditions. These fast lenses will allow you to use less (or no) flash in low-light conditions, and also to improve your camera bodies autofocus in low light conditions. Many argue that at least one fast prime (eg 50mm f/1.8) is an inexpensive, but very important addition to your collection, especially if you're shooting flash restricted ceremony. If you have no idea what I'm talking about taking on the f-stops, then you may be best off reconsidering its plan to shoot this wedding.

experienced and professional Las Vegas wedding photographer provides affordable photography.

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