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Movie review | 'tahrir: liberation square ': a chronicle of cairoprotests by 123wert sdfsf
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Movie review | 'tahrir: liberation square ': a chronicle of cairoprotests |
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Directed by Stefano Savona In Arabic, with English subtitles 1 hour 30 minutes; not rated Begun in January 2011 amid mass demonstrations in downtown Cairo,"Tahrir: Liberation Square" had its official premierescarcely six months later at the Locarno Film Festival inSwitzerland. That makes it a hot document as far as movies go,recording events with ramifications yet unknown to Egyptians or therest of the world. But far from imposing clarity on the historic gatherings,"Tahrir" embraces the thrill and uncertainty of popularaction. In some ways resembling old-fashioned vérité,Stefano Savona"s chronicle aims to plunge you into the crowdsand clamor. Updates trickle in — is President Hosni Mubaraksending thugs? has he resigned? — just as someone on theground might learn them, by hook or by crook, but usually bycellphone.
This modern revolution was posted on Facebook , and we hear quotations from not only the Tunisian poet Abul-Qasimal-Shabi but also (in English) whichever gym teacher first said"No pain, no gain." The film tacks between chanting throngs and earnest individualsvoicing hopes and grievances, debating constitutional and religiousoutcomes, or simply reacting. Though a young man in a checkeredscarf becomes an unofficial commentator and an older gentleman isgiven free rein to deliver a monologue about youth and change,"Tahrir" is a group portrait. Mr. Savona, formerly astudent of archaeology and anthropology, focuses on the homemaderhythms of strangers brought close together, the words of theircall-and-response and the felt duration of watching and waiting. Idealism, pride and solidarity carry the day and the night, whichflow into one another without explanatory titles or voice-over.
Themood and presentation are a conscious choice, contrasting with thesuccinct HBO documentary " In Tahrir Square " (which sets grim stakes by opening with torture footage) orthe analysis and exposé of the film "Tahrir2011." The sociably close camerawork and vivid HD photography, which gains a kind of humid vibrance bynight, foster the sense of being in the moment. The square, which we barely leave, is plainly a stage, but it mustbe said that Mr. Savona"s talents as a dramatist arevariable. He shapes his material with a slack hand for afeature-length documentary and sets his sights narrowly for anevent amply covered in other media. But he is just as plainly aromantic, even as his final shot recognizes the fragility ofprogress.
With the fate of Egypt still cloudy, his film has alreadybecome poignant. I am a professional writer from Construction & Real Estate, which contains a great deal of information about auto soap dispenser , shower shampoo dispenser, welcome to visit!
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