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Art can't shine when box office gold lines the silver screens by efwegbe erergeer





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Art can't shine when box office gold lines the silver screens by
Article Posted: 09/07/2013
Article Views: 145
Articles Written: 1575
Word Count: 580
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Art can't shine when box office gold lines the silver screens


 
Business,Business News,Business Opportunities
Taiwan director Wei Te-Sheng recently brought Seediq Bale, a filmabout a Taiwan tribe's fight against Japanese oppression in 1930,to mainland theaters. The tribe lost their battle in the film, and Wei will likely loseat the box office, too. The film has grossed only 3 million yuan ($476,100) since its May10 premiere, while Disney's The Avengers - released five daysearlier - has raked in more than 300 million yuan. It centers on the Seediq, an aboriginal tribe in Taiwan's innermountains, who rise up against their Japanese rulers. Japan tookcharge of the island after the Chinese government ceded it after an1894 war.



Although suffering from a feeble storyline and excessivedirectorial sentimentalism, the film deserves accolades for themagnificent action scenes and touching performances. It lives up tosome critics' conclusion that it qualifies as an epic. But why is it that such a quality film now faces a lose-losesituation - viewers miss it in theaters studded with Hollywoodblockbusters, such as Battleship and The Avengers, while thedirector misses the chance to prove he can win over a wideraudience than Taiwan's? Some blame the theaters for saving limited screens for the film,saying they should support good domestic films. Taiwan director Wei Te-Sheng recently brought Seediq Bale, a filmabout a Taiwan tribe's fight against Japanese oppression in 1930,to mainland theaters.



The tribe lost their battle in the film, and Wei will likely loseat the box office, too. The film has grossed only 3 million yuan ($476,100) since its May10 premiere, while Disney's The Avengers - released five daysearlier - has raked in more than 300 million yuan. It centers on the Seediq, an aboriginal tribe in Taiwan's innermountains, who rise up against their Japanese rulers. Japan tookcharge of the island after the Chinese government ceded it after an1894 war.



Although suffering from a feeble storyline and excessivedirectorial sentimentalism, the film deserves accolades for themagnificent action scenes and touching performances. It lives up tosome critics' conclusion that it qualifies as an epic. But why is it that such a quality film now faces a lose-losesituation - viewers miss it in theaters studded with Hollywoodblockbusters, such as Battleship and The Avengers, while thedirector misses the chance to prove he can win over a wideraudience than Taiwan's? Some blame the theaters for saving limited screens for the film,saying they should support good domestic films. By revealing a little-known period of history, it raises questionsabout important issues, such as civilization and savagery, andfreedom and slavery.



Although some critics may have gone a bit toofar in calling it China's Braveheart, it deserves respect. But it's simply not the typical flick commercial theaters wouldpick. Actually, the fact that Seediq Bale and The Avengers compete in thesame kind of theaters is a big problem. Art films are often edgy, avant-garde and critical, which meansthey could be neglected, misunderstood and even avoided by massaudiences. But, in the long term, they inspire people to look at the world andthemselves in different ways.



They may not make money, but makingmoney - from the beginning - is not their main purpose or thecriterion that determines their value. Entertaining blockbusters are made for the market. And the marketwill decide their fate. But quality art films need more government assistance, becausetheir creation is never purely business.

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